Stanley Kubrick: A Life in Pictures

Stanley Kubrick filming Barry Lyndon in 1975 (Source: Kubrick Estate)

Much has been written and said about the legendary American film director Stanley Kubrick but few records offer us a closer look into his life than Jan Harlan’s documentary Stanley Kubrick: A Life in Pictures (2001).

The documentary covers Stanley Kubrick’s life from childhood to death, featuring rare footage, images and home videos from Kubrick’s infamous “archives”, and more importantly, all his pictures from Day of the Fight (1951) to Eyes Wide Shut (1999). It talks about his personality as well as his work, his aspirations, his fears, his accomplishments, his passion, his disappointments, his style of management and direction, his family, his home and his life, which to many had remained a mystery until his wife Christiane Kubrick and her brother, and the director of the documentary, Jan Harlan, started speaking about him publicly after his death in 1999.

The documentary tells the story of how Kubrick started making pictures, his humble beginnings as a photojournalist, his struggle to make a mark on the global cinema and interesting facts about the making of his pictures, such as how Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb (1964) was turned into a comedy, and particularly Spartacus (1960) in which Kubrick had little control as the director due to the influence of the star and the executive producer of the picture, Kirk Douglas, who had also appeared in Kubrick’s widely acclaimed (anti) war drama Paths of Glory (1957).

It is on this documentary that Malcolm McDowell reveals about his friendship with Kubrick that later turned into almost indifference from Kubrick as the filming of A Clockwork Orange (1971) was completed and Shelley Duvall talks about her experience with Kubrick during the filming of The Shining (1980), which was something she “would not want to go through again”.

Apart from McDowell and Duvall, the documentary features interviews from Steven Spielberg, Woody Allen, Martin Scorsese, Sydney Pollack, Peter Ustinov, Jack Nicholson, Arthur C. Clarke, Keir Dullea, Matthew Modine, Adam Baldwin, James Earl Jones, Leon Vitali, Christiane Kubrick, Katharina Kubrick, Jan Harlan, Tom Cruise and Nicole Kidman.

To commemorate the 83rd birthday of Stanley Kubrick, and the tenth year of the release of A Life in Pictures, nothing is more fitting than revisiting the introduction of the documentary, which is probably the best tribute to Kubrick within a time span of 3 minutes. Fortunately, the documentary is available at youtube.

Poster for Stanley Kubrick: A Life in Pictures (Source: Wikipedia)

The documentary starts with a montage of the adjectives printed by the press in the West about Stanley Kubrick and the kind of assumptions that were associated with him such as being a recluse, a megalomaniac, obsessive-compulsive and a perfectionist. Kubrick’s family perfectly explains how little the world know about the man and how incorrect were the labels associated with him by the press.

It is clear that the press made such assumptions about Kubrick because he refused to give any interviews and generally avoided talking to the press, except for the ones he trusted, and to some, they did it plainly out of bitterness. When he was asked to explain his pictures, and he was asked the question a lot for 2001: A Space Odyssey (1965) for its cryptic symbolism, he simply refused to do so by saying that you should let the pictures do the talking.

The documentary is loaded with images from Kubrick’s films, all of them assorted in one collection, which is one of the reasons why the documentary is such a delight to watch. What else has the life of a filmmaker to offer than images, and this is what motion pictures are all about. Maybe I have said this before, but if you want to know how great a film director is, see how easily you can recall the images from his or her films. Kubrick’s films have some of the most iconic, important, historic, unforgettable, memorable and haunting images that you could ever come across from any other director.

The documentary is an absolute treat to watch and a delight for a Kubrick fan, or for anyone who is interested in cinema and in Kubrick’s work. Whether you like his pictures or not, you simply would not be able to deny the fact that Stanley Kubrick’s films were some of the most important cinematic works in the 20th century and his milestone masterpieces set new artistic and technical standards in filmmaking.

The Vision of Stanley Kubrick

Stanley Kubrick (1928-1999)

On the 1(∞)2th death anniversary of Stanley Kubrick, let us revisit the vision of the great director. While to a lot of people, Kubrick’s productions are boring and slow, some of them completely miss what those movies are about. Very few of films made by Kubrick received a favorable critical response right away anyway (only to be reconsidered later), yet he was one of the most independent of the filmmakers in the history of cinema who never compromised on his art ever since he directed Spartacus (1960), and he was way ahead of his time.

Like all great directors, such as Luis Buñuel and Ingmar Bergman, Kubrick had a central idea or theme in his mind which he used to convey through his movies. Probably the most important theme of the films made by Stanley Kubrick was humanity itself, and I think the philosophical side of his work is one of the reasons why he is considered such a great director, apart from its majestic cinematic value, and the idea was that humans were being destroyed by their own intelligence, or lack of enough intelligence.

These movies point out how the human failure to collaborate and cooperate with each other could potentially lead to the consequent premature demise of the species. Kubrick questioned our humanity and morality in Paths of Glory (1957), Lolita (1962), Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb (1964), 2001: A Space Odyssey (1968), Full Metal Jacket (1987), Barry Lyndon (1975), Eyes Wide Shut (1999) and most of all in A Clockwork Orange (1971). As a matter of fact, all his movies, with some of the others made earlier like Fear and Desire (1953) also explore this theme, and his films he never made like Steven Spielberg‘s A.I. Artificial Intelligence (2001), Aryan Papers and Napoleon are the extensions of this theme.

 

HAL9000 Computer from 2001: A Space Odyssey

Kubrick produced some of the most memorable images in the history of cinema, but as much as they stuck to the memory of the viewer, they also appealed them to reflect on the deeper meaning behind those images. According to some film reviewers, Kubrick was a master of encoding symbols into his movies reflective of the theme, and the background contributed as much to the feel he created in a story as did the intense characters and their faces. Even that of HAL, which was probably the most important character of 2001: A Space Odyssey, a landmark in the history of cinema, or maybe the human history itself.

Some of the best moments from Stanley Kubrick’s movies that make you think.

SPOILER ALERT: Only for those who have already had the pleasure of watching his movies. For everyone else, watching these masterpieces is highly recommended. You can start by visiting his filmography.

The connoisseurs could use the following links.

Stanley Kubrick – The Living Memory

Kubrick Multimedia Film Guide

The Kubrick FAQ

2001: A Space Odyssey (1968)

A Clockwork Orange (1971)

Dr.  Strangelove: Or How I Learned to Stop Worrying & Love the Bomb (1964)